This is a post that I wrote for my art blog but wanted to share it here as well thinking that it might be interesting to my Green Mango audience too. I am sincere when I say I hope to open conversations around these topics, so I welcome any feedback my readers might have on the subject.
I’m back in the US for a bit, showing my art in some shows again here in the Midwest, which always makes for new challenging interactions and feedback from viewers of my work. I don’t mean challenging in that the interactions are difficult, but they challenge me to reconsider what my art means to different people in different contexts. This is good and necessary for me as an artist because I get used to creating the work in my usual Haitian context and the immediate feedback that I always get on my paintings are from the Haitians themselves. But once I remove the work from that context and exhibit it in a different place with different histories and relationships to race, religion, culture, and community, and each person that views the work has their own personal histories and relationships, the art can send a very different message.
I’m currently participating…
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